Monthly Archives: March 2011

‘Superior Donuts’ both substantive and sweet

By Christine Dolen

A donut is no rational person’s idea of a light snack, but if you’re in the mood for something with both sweetness and substance, that donut can seem just about perfect.

Similarly, Tracy Letts’ most recent Broadway play, Superior Donuts, doesn’t have the heft or dramatic depth of his Pulitzer Prize-winning August: Osage County. But Superior Donuts, a conflict-laced comedy that opened at GableStage a day after August: Osage opened a few miles away at Actors’ Playhouse, has much to say about living in a diverse 21st Century America, surviving life’s traumas, and the war between resignation and hope. And at its heart, the play stands as a testament to...

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“Donuts” proves compelling yet problematic at GableStage

by Bill Hirschman
South Florida Theatre Review

Two elements injected electricity into GableStage’s entertaining production of Tracy Letts’ flawed script for Superior Donuts: Marckenson Charles’ breakout performance as a street kid with unfettered dreams, plus one of the most convincing brawls ever seen on a Florida stage.

Charles first gained notice in Mosaic Theatre’s Groundswell last year. Earlier this season, he grabbed more attention in GableStage’s A Behanding in Spokane with a role similar to Letts’ fast-talking, wisecracking character here.

But under Joe Adler’s direction Saturday night, Charles blossoms fully as Franco Wicks. He delivers Letts’ steady stream of irreverent chatter...

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Superior Donuts at GableStage is a sweet treat

By Chris Joseph Thursday, Mar 24 2011

Written and presented in a kind of ’70s sitcom vibe (think Chico and the Man with F-bombs), Superior Donuts is Tracy Letts’s followup to his Pulitzer Prize-winning August: Osage County(currently playing at Actors’ Playhouse at the Miracle Theatre). If August is a cauldron of familial complexities and dizzying dysfunction, Superior Donuts gives us the opposite. It’s lighthearted, simple, and oftentimes sentimental. That doesn’t mean it isn’t filled with nuance or substance.

Avi Hoffman plays Arthur Przybyszewski, a white, aging, pony-tailed proprietor of a doughnut shop on Chicago’s North Side. Arthur was once a ’60s radical who marched against the...

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